The Liminal Librarian

Here's an interesting take on the wisdom of crowds: Slush Pile Reader:

At Slush Pile Reader authors' manuscripts will be showcased to an audience of on-line readers. The readers then get their say by answering a simple question: Should this manuscript be published?

If enough readers agree that, yes, it should be published, Slush Pile Reader will do just that. We will publish the most popular manuscripts.

This may be an interesting alternative to self-publication, if nothing else...

Labels: crowds, publication, slushpile, writing

This June, I'm heading to Florida to give a couple of back-to-back workshops on writing for publication to a couple of groups of library folks. As I'm putting these together and thinking about what content to include, I thought I might ask for others' opinions. What topics would be most useful to you as an attendee at this sort of workshop?

Labels: presenting, pub4lib, publication, workshops, writing

Take a look at this interesting little article (via Bitch PhD) in the New York Times about op-ed writing seminars for women.

Ms. Orenstein asked: Could every woman at the large rectangular table name one specific subject that she is an expert in and say why? The author of “Little Red Riding Hood Uncloaked: Sex, Morality and the Evolution of a Fairy Tale,” Ms. Orenstein began by saying, “Little Red Riding Hood” and writing the words in orange marker on an oversize white pad.

Of the next four women who spoke, three started with a qualification or apology. “I’m really too young to be an expert in anything,” said Caitlin Petre, 23.

“Let’s stop,” Ms. Orenstein said. “It happens in every single session I do with women, and it’s never happened with men.” Women tend to back away from “what we know and why we know it,” she said.

....

After the presentations Ms. Orenstein returned to the orange-colored words “Little Red Riding Hood” written on the pad, saying that if she had limited herself to that subject, her contribution to public debate would be about the size of a tack.

“I would have to reframe myself,” she said, drawing a triangle around the words. At each of the three points she explained how she set about enlarging her area of expertise: from Riding Hood to female heroines to women; from fairy tales to myths to stories we tell and are told; from the nursery to popular culture.

This is true for professional writing, as well -- not to mention true of our larger careers. When we negate our own expertise, we become less effective in imparting our importance as professionals, and our self-effacing attitude hurts us in areas from salaries, to promotions, to our ability to grasp new opportunities.

As I'm going through the responses to the alternative careers survey, it's becoming clear that the ability to claim, reframe, and broaden our knowledge bases and skillsets is essential, not only when moving to a nontraditional setting, but in responding to both internal and external changes.

Labels: altcareers, oped, publishing, women, writing